About

Amy K. Pix (she/her) is an early career sound artist and sound designer primarily for theatre in South London. Her sound designs combine original music, field recordings and ambient textures, and are highly detailed and immersive. Amy is interested in sonic dramaturgy and sound as storytelling; and is passionate about adding layers to narratives through her dramaturgical sound design.

Her design credits for theatre include My Dad: The Woman, The Myth, The Legend (Greedy Pig); Space Oddity (the egg) and Sherlock Holmes and a Christmas Mystery (Black Hound Productions).

She is a first year BA Sound Arts: Design student at London College of Communication, UAL; where she is developing her work in the field of sound art through research and practice. She also recently graduated from Bath Theatre Academy with a Distinction, which trained her in becoming a theatre-maker; where she specialised in sound design and undertook numerous sound design opportunities including being Associate Sound Designer on 'Animal Farm' and 'The Crucible’.

The work she is drawn to, across any form, is often politically engaged and concerned with themes of trans identity, intersectional feminism, climate justice and radical joy; she is excited by devising processes which experiment with form, and enjoys working on plays that feel magical.

“Very effective [...] sound [...] courtesy of [...] sound designer Amy Pix”
— Stage Talk, 4 star review

  • “A joy to work with” - Joseff Harris, sound artist

    “Amy has high levels of professionalism and skill in creating and building imaginative sound worlds.” - Dinah Mullen, sound artist

CV

Recent + upcoming projects (selected)

2026 (upcoming)

Breeze - Sound Designer. Lead artist and performer: Attila Andrási. Dance installation. Wimbledon College of Arts.

2025

My Dad: The Woman, The Myth, The Legend - Sound Designer and sound/projection operator. dir. Lex Kaby. South-West tour: The Rondo - Bath, The Alma Tavern - Bristol, The Cotswold Playhouse - Stroud. Greedy Pig Theatre

As Associate: Animal Farm, Associate SD to Joseff Harris, dir. Sophie Cottle, the egg, Theatre Royal Bath. Bath Theatre Academy.

Space Oddity - Sound Designer. dir. Patrick Withey and Anna-Louise Fleet. the egg, Theatre Royal Bath. Theatre Royal Bath Theatre School.

2024

Sherlock Holmes and a Christmas Mystery - Sound Designer. dir. Patrick Withey. Cheltenham Everyman Theatre. Black Hound Productions.

I, Joan R&D sharing - Sound Designer. Written by Charlie Josephine and dir. Hope Thain. Bath Theatre Academy.

Shakeslam - Sound Designer and operator. dir. Nell Bailey. The Ustinov, Theatre Royal Bath. Bath Theatre Academy.


Training:

Qualifications: Distinction in Performing And Production Arts, UAL Extended Diploma

Mentee: Nicola T. Chang (ASDP) January 2026-onwards // Dinah Mullen (BTA) October 2024

Programmes: Why Push This? Pushback Theatre, why this sky, New Diorama

Shadowing: Summerfolk, National Theatre - Shadowing: Nicola T. Chang / A Midsummer Night’s Dream, The Globe - Shadowing: Nicola T. Chang

Associate/Assistant: Animal Farm, the egg (2025) / The Crucible, the egg (2025) / A Series of Public Apologies, the egg (2024)

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Other: Writing ‘River’ - adaptation of Thumbelina for young audiences performed in a scratch night / Writing and Sound Designing ‘Portal’ - a narrated sound walk for young audiences about climate change

Key skills:

QLab (programming and operation)
Soundscapes and sound effects design
Composition
Field recording
Studio Recording
Ableton Live; Logic Pro
Speaker plotting; Spatial Design