About
Amy K. Pix is an early career sound artist and sound designer working across theatre, audio, and her own original music and sound art. She has worked as a composer/sound designer on productions at The Egg, King’s Head Theatre, Camden People’s Theatre and Cheltenham Everyman Theatre; as an Associate Sound Designer at Shakespeare North Playhouse and Riverside Studios, and has observed processes at venues like the National Theatre.
She is currently studying a BA in Sound Arts: Design at UAL, London College of Communication - and is working across an exciting range of sound arts projects.
She graduated with a Distinction from Bath Theatre Academy in 2025, which trained her as a theatre-maker and where she undertook numerous sound design opportunities including being an Associate Sound Designer on ‘Animal Farm’ and ‘The Crucible’.
Her sound designs combine original music, field recordings and ambient textures, and are highly detailed and immersive.
Get in touch!
amyk.sounddesign@gmail.com
CV
Selected Credits (theatre)
2026
As Associate: Bad Indian. Sound Associate to Pierre Flasse. Riverside Studios and Bread & Roses Theatre. dir. Scott Le Crass / International Tour
Persona - Sound Designer. dir. Olivia Woods. King’s Head Theatre; Edinburgh Fringe
As Associate: Our Public House. Sound Associate to Bella Kear. Shakespeare North Playhouse. dir. Josephine Burton / UK Tour
2025
My Dad: The Woman, The Myth, The Legend - Sound Designer and sound/projection operator. dir. Lex Kaby. South-West tour
As Associate: Animal Farm, Sound Associate to Joseff Harris. dir. Sophie Cottle / the egg, Theatre Royal Bath. Bath Theatre Academy
Space Oddity - Sound Designer. dir. Patrick Withey and Anna-Louise Fleet. the egg, Theatre Royal Bath. Theatre Royal Bath Theatre School
2024
Sherlock Holmes and a Christmas Mystery - Sound Designer. dir. Patrick Withey. Cheltenham Everyman Theatre. Black Hound Productions
I, Joan R&D sharing - Sound Designer. Written by Charlie Josephine and dir. Hope Thain. Bath Theatre Academy
Shakeslam - Sound Designer and operator. dir. Nell Bailey. The Ustinov, Theatre Royal Bath. Bath Theatre Academy
Full list of production credits can be sent on request
Training:
Qualifications: Distinction in Performing And Production Arts: UAL Extended Diploma.
Mentee: Nicola T. Chang (ASDP) January 2026-onwards // Dinah Mullen (BTA) October 2024
Programmes: Why Push This? Pushback Theatre, why this sky, New Diorama
Shadowing: Nicola T. Chang on ‘Summerfolk’, National Theatre and ‘A Midsummer Night’s Dream’, The Globe
Associate/Assistant: Animal Farm, the egg (2025) / The Crucible, the egg (2025) / A Series of Public Apologies, the egg (2024)
Key skills:
QLab (programming and operation)
Soundscapes and sound effects design
Composition
Field recording
Ableton Live; Logic Pro
Spatialisation