About
Amy K. Pix (she/her) is an early career sound artist and sound designer working across theatre, audio, and her own original music and sound art. Her sound designs combine original music, field recordings and ambient textures, and are highly detailed and immersive. Amy is interested in sonic dramaturgy and sound as storytelling; and is passionate about adding layers to narratives through her dramaturgical sound design.
Her design credits for theatre include Trans People Are Awful (Camden People’s Theatre); My Dad: The Woman, The Myth, The Legend (Greedy Pig); Space Oddity (the egg), and Sherlock Holmes and a Christmas Mystery (Black Hound Productions).
She is a first year BA Sound Arts: Design student at UAL. She also recently graduated from Bath Theatre Academy with a Distinction, which trained her in becoming a theatre-maker; where she specialised in sound design and undertook numerous sound design opportunities including being Associate Sound Designer on 'Animal Farm' and 'The Crucible’ (the egg).
The work she is drawn to is often politically engaged and concerned with themes of trans identity, intersectional feminism, climate justice and radical joy. She is excited by devising processes which experiment with form, and enjoys working on plays that feel magical.
“Very effective [...] sound [...] courtesy of [...] sound designer Amy Pix”
Get in touch!
amyk.sounddesign@gmail.com
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“A joy to work with” - Joseff Harris, sound artist
“Amy has high levels of professionalism and skill in creating and building imaginative sound worlds.” - Dinah Mullen, sound artist
CV
Recent + upcoming projects (selected)
2026 (**upcoming)
As Associate: Our Public House. Sound Associate to Bella Kear for transfer to Shakespeare North Playhouse. dir. Josephine Burton. UK tour. Type: Theatre.**
Trans People are Awful - Sound Designer. dir. Ros Watt. Camden People’s Theatre. Type: Theatre.**
Echoes of the River - Sound Artist. Collaborative radio art project. Resonance FM, May 2026. Type: Radio.**
Breeze - Sound Designer. Attila Andrási, Wimbledon College of Arts. Type: Dance Installation.**
2025
My Dad: The Woman, The Myth, The Legend - Sound Designer and sound/projection operator. dir. Lex Kaby. South-West tour: The Rondo - Bath, The Alma Tavern - Bristol, The Cotswold Playhouse - Stroud. Greedy Pig Theatre. Type: Theatre.
As Associate: Animal Farm, Associate SD to Joseff Harris, dir. Sophie Cottle, the egg, Theatre Royal Bath. Bath Theatre Academy. Type: Theatre.
Space Oddity - Sound Designer. dir. Patrick Withey and Anna-Louise Fleet. the egg, Theatre Royal Bath. Theatre Royal Bath Theatre School. Type: Theatre.
2024
Sherlock Holmes and a Christmas Mystery - Sound Designer. dir. Patrick Withey. Cheltenham Everyman Theatre. Black Hound Productions. Type: Theatre.
I, Joan R&D sharing - Sound Designer. Written by Charlie Josephine and dir. Hope Thain. Bath Theatre Academy. Type: Theatre.
Shakeslam - Sound Designer and operator. dir. Nell Bailey. The Ustinov, Theatre Royal Bath. Bath Theatre Academy. Type: Theatre.
Training:
Qualifications: Distinction in Performing And Production Arts: UAL Extended Diploma.
Mentee: Nicola T. Chang (ASDP) January 2026-onwards // Dinah Mullen (BTA) October 2024
Programmes: Why Push This? Pushback Theatre, why this sky, New Diorama
Shadowing: Nicola T. Chang on ‘Summerfolk’, National Theatre and ‘A Midsummer Night’s Dream’, The Globe
Associate/Assistant: Animal Farm, the egg (2025) / The Crucible, the egg (2025) / A Series of Public Apologies, the egg (2024)
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Key skills:
QLab (programming and operation)
Soundscapes and sound effects design
Composition
Field recording
Studio Recording
Ableton Live; Logic Pro
Speaker plotting; Spatial Design